Your Essential Guide to Africa through Nigeria
Is this the federation Nnamdi Azikiwe fought for?
Nigeria celebrates its 65th independence anniversary during a period of uninterrupted 26 years of democratic governance. Despite this commendable sustenance of democracy, the country struggles to unite as ethnic tension rises.
This Week’s Essentials
Leaving Nigeria After #EndSARS
I knew policemen as neighbours, as fathers of schoolmates, as bullies, as murderers. Even though the protest was my first, it was nothing new. They were killing and harassing young boys; we needed to speak
FINDING REST ON ALL SOULS' DAY
I knew policemen as neighbours, as fathers of schoolmates, as bullies, as murderers. Even though the protest was my first, it was nothing new. They were killing and harassing young boys; we needed to speak
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ARE AFRICAN COUPS AFFECTING THE FRENCH ECONOMY?
I knew policemen as neighbours, as fathers of schoolmates, as bullies, as murderers. Even though the protest was my first, it was nothing new. They were killing and harassing young boys; we needed to speak
Africa's Role in Artificial Intelligence
I knew policemen as neighbours, as fathers of schoolmates, as bullies, as murderers. Even though the protest was my first, it was nothing new. They were killing and harassing young boys; we needed to speak
VOL 9. N0. 3
AN AFRICAN MANUAL FOR DEBUGGING EMPIRE
Our latest issue, confronts the erasure of Africans in global tech debates and highlights the ways the continent is actively shaping, contesting and redefining the futures of AI.
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More from our Latest Issue
Leaving Nigeria After #EndSARS
I knew policemen as neighbours, as fathers of schoolmates, as bullies, as murderers. Even though the protest was my first, it was nothing new.
WHERE’S THE #ENDSARS GENERATION?
I knew policemen as neighbours, as fathers of schoolmates, as bullies, as murderers. Even though the protest was my first, it was nothing new.
THE AfterLIVES OF #EndSARS
I knew policemen as neighbours, as fathers of schoolmates, as bullies, as murderers. Even though the protest was my first, it was nothing new.
Explore by Region
See More
The Ministry of Cultural Affairs
WHERE ARE THE BODIES #EndSARS
I knew policemen as neighbours, as fathers of schoolmates, as bullies, as murderers. Even though the protest was my first, it was nothing new. They were killing and harassing young boys; we needed to speak. Everything was the same until DJ Switch went live on Instagram that night.
The Ministry of Cultural Affairs
A Yoruba Woman’s Notes On Language as a Barrier, Bridge and Bedrock
I knew policemen as neighbours, as fathers of schoolmates, as bullies, as murderers. Even though the protest was my first, it was nothing new. They were killing and harassing young boys; we needed to speak. Everything was the same until DJ Switch went live on Instagram that night.
The Ministry of Cultural Affairs
A Yoruba Woman’s Notes On Language as a Barrier, Bridge and Bedrock
I knew policemen as neighbours, as fathers of schoolmates, as bullies, as murderers. Even though the protest was my first, it was nothing new. They were killing and harassing young boys; we needed to speak. Everything was the same until DJ Switch went live on Instagram that night.
The Ministry of Cultural Affairs
A Yoruba Woman’s Notes On Language as a Barrier, Bridge and Bedrock
I knew policemen as neighbours, as fathers of schoolmates, as bullies, as murderers. Even though the protest was my first, it was nothing new. They were killing and harassing young boys; we needed to speak. Everything was the same until DJ Switch went live on Instagram that night.
The Ministry of Cultural Affairs
A Yoruba Woman’s Notes On Language as a Barrier, Bridge and Bedrock
I knew policemen as neighbours, as fathers of schoolmates, as bullies, as murderers. Even though the protest was my first, it was nothing new. They were killing and harassing young boys; we needed to speak. Everything was the same until DJ Switch went live on Instagram that night.
The Ministry of Cultural Affairs
WHERE ARE THE BODIES #EndSARS
I knew policemen as neighbours, as fathers of schoolmates, as bullies, as murderers. Even though the protest was my first, it was nothing new. They were killing and harassing young boys; we needed to speak. Everything was the same until DJ Switch went live on Instagram that night.
The Ministry of Cultural Affairs
WHERE ARE THE BODIES #EndSARS
I knew policemen as neighbours, as fathers of schoolmates, as bullies, as murderers. Even though the protest was my first, it was nothing new. They were killing and harassing young boys; we needed to speak. Everything was the same until DJ Switch went live on Instagram that night.
The Ministry of Cultural Affairs
A Yoruba Woman’s Notes On Language as a Barrier, Bridge and Bedrock
I knew policemen as neighbours, as fathers of schoolmates, as bullies, as murderers. Even though the protest was my first, it was nothing new. They were killing and harassing young boys; we needed to speak. Everything was the same until DJ Switch went live on Instagram that night.
The Ministry of Cultural Affairs
A Yoruba Woman’s Notes On Language as a Barrier, Bridge and Bedrock
I knew policemen as neighbours, as fathers of schoolmates, as bullies, as murderers. Even though the protest was my first, it was nothing new. They were killing and harassing young boys; we needed to speak. Everything was the same until DJ Switch went live on Instagram that night.
The Ministry of Cultural Affairs
A Yoruba Woman’s Notes On Language as a Barrier, Bridge and Bedrock
I knew policemen as neighbours, as fathers of schoolmates, as bullies, as murderers. Even though the protest was my first, it was nothing new. They were killing and harassing young boys; we needed to speak. Everything was the same until DJ Switch went live on Instagram that night.
The Ministry of Cultural Affairs
A Yoruba Woman’s Notes On Language as a Barrier, Bridge and Bedrock
I knew policemen as neighbours, as fathers of schoolmates, as bullies, as murderers. Even though the protest was my first, it was nothing new. They were killing and harassing young boys; we needed to speak. Everything was the same until DJ Switch went live on Instagram that night.
The Ministry of Cultural Affairs
WHERE ARE THE BODIES #EndSARS
I knew policemen as neighbours, as fathers of schoolmates, as bullies, as murderers. Even though the protest was my first, it was nothing new. They were killing and harassing young boys; we needed to speak. Everything was the same until DJ Switch went live on Instagram that night.
Just For You
WHERE ARE THE BODIES #EndSARS
I knew policemen as neighbours, as fathers of schoolmates, as bullies, as murderers. Even though the protest was my first, it was nothing new. They were killing and harassing young boys; we needed to speak. Everything was the same until DJ Switch went live on Instagram that night.
A Yoruba Woman’s Notes On Language as a Barrier, Bridge and Bedrock
I knew policemen as neighbours, as fathers of schoolmates, as bullies, as murderers. Even though the protest was my first, it was nothing new. They were killing and harassing young boys; we needed to speak. Everything was the same until DJ Switch went live on Instagram that night.
A Yoruba Woman’s Notes On Language as a Barrier, Bridge and Bedrock
I knew policemen as neighbours, as fathers of schoolmates, as bullies, as murderers. Even though the protest was my first, it was nothing new. They were killing and harassing young boys; we needed to speak. Everything was the same until DJ Switch went live on Instagram that night.
A Yoruba Woman’s Notes On Language as a Barrier, Bridge and Bedrock
I knew policemen as neighbours, as fathers of schoolmates, as bullies, as murderers. Even though the protest was my first, it was nothing new. They were killing and harassing young boys; we needed to speak. Everything was the same until DJ Switch went live on Instagram that night.
A Yoruba Woman’s Notes On Language as a Barrier, Bridge and Bedrock
I knew policemen as neighbours, as fathers of schoolmates, as bullies, as murderers. Even though the protest was my first, it was nothing new. They were killing and harassing young boys; we needed to speak. Everything was the same until DJ Switch went live on Instagram that night.
WHERE ARE THE BODIES #EndSARS
I knew policemen as neighbours, as fathers of schoolmates, as bullies, as murderers. Even though the protest was my first, it was nothing new. They were killing and harassing young boys; we needed to speak. Everything was the same until DJ Switch went live on Instagram that night.
Explore by Region
See More
The Ministry of Cultural Affairs
WHERE ARE THE BODIES #EndSARS
I knew policemen as neighbours, as fathers of schoolmates, as bullies, as murderers. Even though the protest was my first, it was nothing new. They were killing and harassing young boys; we needed to speak. Everything was the same until DJ Switch went live on Instagram that night.
The Ministry of Cultural Affairs
A Yoruba Woman’s Notes On Language as a Barrier, Bridge and Bedrock
I knew policemen as neighbours, as fathers of schoolmates, as bullies, as murderers. Even though the protest was my first, it was nothing new. They were killing and harassing young boys; we needed to speak. Everything was the same until DJ Switch went live on Instagram that night.
The Ministry of Cultural Affairs
A Yoruba Woman’s Notes On Language as a Barrier, Bridge and Bedrock
I knew policemen as neighbours, as fathers of schoolmates, as bullies, as murderers. Even though the protest was my first, it was nothing new. They were killing and harassing young boys; we needed to speak. Everything was the same until DJ Switch went live on Instagram that night.
The Ministry of Cultural Affairs
A Yoruba Woman’s Notes On Language as a Barrier, Bridge and Bedrock
I knew policemen as neighbours, as fathers of schoolmates, as bullies, as murderers. Even though the protest was my first, it was nothing new. They were killing and harassing young boys; we needed to speak. Everything was the same until DJ Switch went live on Instagram that night.
The Ministry of Cultural Affairs
A Yoruba Woman’s Notes On Language as a Barrier, Bridge and Bedrock
I knew policemen as neighbours, as fathers of schoolmates, as bullies, as murderers. Even though the protest was my first, it was nothing new. They were killing and harassing young boys; we needed to speak. Everything was the same until DJ Switch went live on Instagram that night.
The Ministry of Cultural Affairs
WHERE ARE THE BODIES #EndSARS
I knew policemen as neighbours, as fathers of schoolmates, as bullies, as murderers. Even though the protest was my first, it was nothing new. They were killing and harassing young boys; we needed to speak. Everything was the same until DJ Switch went live on Instagram that night.
The Ministry of Cultural Affairs
WHERE ARE THE BODIES #EndSARS
I knew policemen as neighbours, as fathers of schoolmates, as bullies, as murderers. Even though the protest was my first, it was nothing new. They were killing and harassing young boys; we needed to speak. Everything was the same until DJ Switch went live on Instagram that night.
The Ministry of Cultural Affairs
A Yoruba Woman’s Notes On Language as a Barrier, Bridge and Bedrock
I knew policemen as neighbours, as fathers of schoolmates, as bullies, as murderers. Even though the protest was my first, it was nothing new. They were killing and harassing young boys; we needed to speak. Everything was the same until DJ Switch went live on Instagram that night.
The Ministry of Cultural Affairs
A Yoruba Woman’s Notes On Language as a Barrier, Bridge and Bedrock
I knew policemen as neighbours, as fathers of schoolmates, as bullies, as murderers. Even though the protest was my first, it was nothing new. They were killing and harassing young boys; we needed to speak. Everything was the same until DJ Switch went live on Instagram that night.
The Ministry of Cultural Affairs
A Yoruba Woman’s Notes On Language as a Barrier, Bridge and Bedrock
I knew policemen as neighbours, as fathers of schoolmates, as bullies, as murderers. Even though the protest was my first, it was nothing new. They were killing and harassing young boys; we needed to speak. Everything was the same until DJ Switch went live on Instagram that night.
The Ministry of Cultural Affairs
A Yoruba Woman’s Notes On Language as a Barrier, Bridge and Bedrock
I knew policemen as neighbours, as fathers of schoolmates, as bullies, as murderers. Even though the protest was my first, it was nothing new. They were killing and harassing young boys; we needed to speak. Everything was the same until DJ Switch went live on Instagram that night.
The Ministry of Cultural Affairs
WHERE ARE THE BODIES #EndSARS
I knew policemen as neighbours, as fathers of schoolmates, as bullies, as murderers. Even though the protest was my first, it was nothing new. They were killing and harassing young boys; we needed to speak. Everything was the same until DJ Switch went live on Instagram that night.
Explore by Audio
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LOOKING FOR KEN SARO-WIWA
In the second season, host Wale Lawal traces the life and legacy of Ken Saro-Wiwa, one of nine non-violent Ogoni activists the General Sani Abacha military government brutally executed in 1995.
Season 1 EP.1 - IBB: The ‘Evil Genius’
Season 1 EP.2 - MKO: The Man Nigeria Waited to See
season 2 ep.1 - Abacha’s Offer On Language as a Barrier, Bridge and Bedrock
season 2 ep.2 - The Political Rise of Ken Saro-Wiwa (Part I) On Language as a Barrier, Bridge and Bedrock
